We made MeeBlip because we love getting our hands on sound and playing with synth hardware. But for people not totally used to working with this kind of gear, there can be lots of questions.
So, here’s a guide to adding MeeBlip triode to your setup. If you’re thinking of getting ‘out of the box’ and away from your computer for the first time, or you’re just curious about some details of the hardware, we can share some answers without you having to even ask.
And, of course, if you’re thinking we’re doing this now while there’s a $99.95 supersale on, you’re totally right. But hey, that’s another way for us to get synthesis into your hands – and keep making new instruments.
You folks in the MeeBlip community have done an amazing job shooting hands-on video, so we’re able to illustrate this story with your contributions. (Feel free to add tips or questions; we can build this over time.)
Why would you want to do this?
Okay, apart from having some extra toys, why would you want a dedicated synth in the first place? MeeBlip for us is about having sound with a particular personality. It’s there when you want a unique bassline, or as an extra voice for other synths. It lets you get hands on with some knobs, without the usual decision overload of a computer. It’s a chance to learn about synthesis and MIDI.
Oh, and it’s open source hardware, so if you are curious about how synth code and circuits work, everything that makes the triode function is available online, and can be shared and modified free.
Of course, now there’s a lot of cool and inexpensive hardware that does this. But we think MeeBlip sounds different, it’s a simple and compact way of getting huge bass sounds, and it’s about as inexpensive as anything you can find – even from much bigger manufacturers. And the fact that it’s open source means you’re helping contribute to an open hardware ecosystem.
Okay, so you’re sold, but want some more information on how to get going. Here’s what you need to know:
Get a MeeBlip and power
MeeBlip ships with a universal power supply (some budget synths charge extra for this or make you buy batteries). That can be plugged in anywhere, provided you have a physical adapter for the region you’re in.
MeeBlip triode is a MIDI device, meaning it receives messages from a computer or music hardware, for notes and parameter control.
You’ll need a standard MIDI cable to make that happen, plus an appropriate interface if you want to connect to a computer, iPad, or other device. (We use the iConnectivity mio for USB MIDI connections on iOS and desktop.)
Get something to generate notes
Since the triode is ultra-compact and lacks a keyboard or touch input, you need something to send it notes.
You can use any keyboard (or drum trigger, or other controlled), provided it has a MIDI output. Then just play in what you want.
You can use other hardware. Novation’s Circuit, Roland’s TB-03, and Arturia’s BeatStep Pro are all convenient MIDI step sequencers, useful for programming melodic lines. (Using MeeBlip with the TB-03 makes it easy to add extra bass and dirt to the 303 sound, by doubling its line on the MeeBlip. Circuit + MeeBlip gives you some crisp synths and drums, combined with the MeeBlip’s bass.)
Using that USB MIDI interface, you can also use computer software, of course. But with the addition of Apple’s USB Lightning adapter, which now also supports power passthrough so you can charge your device at the same time, you can use an iPhone, iPod touch, or iPad. (This adapter was introduced with the iPad Pro, but it works with any Lightning-equipped iOS device. What you’re looking for is specifically termed the Lightning to USB 3 Camera Adapter, pictured here – see our hands-on test.)
With cool sequencers like Modstep, you don’t even need a computer. (Modstep even works out of the box with all the MeeBlip’s parameters, so you can, for instance, draw in filter and modulation changes.)
What you need for sound
MeeBlip triode has a stereo minijack connection for audio. This means you can plug in a pair of headphones and immediately hear sound in both ears.
You can use the same connection to output to a mixer, PA, recorder, computer, whatever. Just make sure you have a stereo cable, not the mono cables often used on modular synths. These stereo cables are y-shaped at the opposite end – with jacks for left and right. Since the signal is on both jacks, you can leave one hanging and just plug in the other.
You’ll need some sort of audio interface in order to record. Behringer makes a mixer with a built-in USB interface, for one dirt-cheap solution – that way, you can plug in a couple of pieces of gear, mix the outputs, and record via USB back to your computer.
Okay, now you’ve got it all connected – give it a play! (Our manual covers the process, but you just need to make sure whatever is sending notes is transmitting on channels 1-8, and set the appropriate channel on the MeeBlip.)
Jam, twist knobs, and enjoy.
Try automating parameters with MIDI CC
MIDI Control Changes (CC) are special messages for adjusting sound parameters, not just notes. All of the MeeBlips knobs and switches (and a few not on the panel) are controllable in this way. So instead of twisting knobs around, you can automate those changes externally.
It’s easy to dial in a lot of sounds right away. But when you’re ready to go deeper, triode also offers extras like wavetable mode, for various edgy sounds. Extreme parameters can also make more experimental sounds – and that’s before you add effects.
There’s even a Web-based editor-librarian that you can use to try, store, and share sounds – and it’s free. (It surprised even us, coming from another fan of open source tools.)
The fun is really combining MeeBlip with other stuff. And because it’s open, if you want to get really deep, you can learn how it works.
We hope you’ll pick up one of this manufacturing run before it runs out. What else would you like to know or explore? Let us know, and we’ll try to help you out.
MeeBlip triode is shipping worldwide for US$99.95 through Tuesday night.
MeeBlip triode [shop]
The post Here’s how MeeBlip can get you started with hardware synths appeared first on CDM Create Digital Music.